Jean-Marc Luisada

A laureate of the Dino Ciani Piano Competition in 1983 and International Chopin Piano Competition in 1985, Jean-Marc Luisada has had an extraordinary concert career spanning more than 30 years. He plays in prestigious venues around the world, such as Wigmore Hall in London, Alice Tully Hall and Carnegie Hall in New York, Théâtre des Champs-Élysées, Théâtre du Châtelet, Salle Pleyel and Salle Gaveau in Paris, Victoria Hall in Geneva, Tonhalle in Zürich, BOZAR in Brussels, Herkulessaal in Munich and Suntory Hall in Tokyo, as well as at renowned festivals such as Festival Chopin in Paris, Festival International de Piano de la Roque d’Anthéron, Festival International de Musique Besançon Franche-Comté, La Folle Journée de Nantes, Festival Berlioz in La Côte-Saint-André, La Grange aux Pianos etc.

Luisada has performed with such illustrious conductors as Charles Dutoit, Ádám Fischer, Theodor Guschlbauer, Eliahu Inbal, Emmanuel Krivine, Marek Janowski, Yehudi Menuhin, Michel Plasson and Michael Tilson Thomas, with the London Symphony Orchestra, NHK Symphony Orchestra, Sinfonia Varsovia, Orchestre National de France, Orchestre de la Suisse Romande and Orchestre National du Capitole de Toulouse.

In chamber music, Luisada surrounds himself with Gary Hoffman, Pierre Amoyal, Philippe Bernold, and the Talich, Modigliani and Fine Arts quartets.

Luisada has recorded several discs for Deutsche Grammophon and Sony (RCA), in particular Chopin’s waltzes, mazurkas and Piano Concerto No 1 in E minor in its original version with the Talich Quartet and double bassist Benjamin Berlioz; Granados’ Goyescas, Poulenc’s L’Histoire de Babar, Le Petit Éléphant with Jeanne Moreau, and the album Feu Sacré with Macha Méril. A disc dedicated to Schumann, rewarded with a CHOC Classica and rave reviews, preceded a recording of Schubert’s Piano Sonata in C, D840 and in B-flat, D960, which marked the start of a collaboration with the La Dolce Volta label. His latest album Au Cinéma Ce Soir, with works by Rota, Mahler, Mozart, Brahms, Joplin and Chopin, pays homage to his parents, and to the cinema masterpieces which marked his existence and nourished his life as an artist.

Alongside his concert activity, Luisada teaches at the École Normale de Musique de Paris. He was bestowed the Officier de l’Ordre des Arts et des Lettres medal by the French Ministry of Culture.

Luisada studied piano at the Yehudi Menuhin School in London, then at the Conservatoire National Supérieur de Musique in Paris, where in 1977 he won the First Prize in Dominique Merlet’s piano class, and in 1978 the First Prize in Geneviève Joy-Dutilleux’s chamber music class. He also received advice from great masters such as Denyse Rivière, Marcel Ciampi, Paul Badura-Skoda, Vlado Perlemuter etc. 

Christoph Poppen

Conductor, soloist, chamber musician and pedagogue, Christoph Poppen has made a name for himself in diverse roles in the international musical world. As Music Director of Hong Kong Sinfonietta from the 2023/2024 season, he works closely with Music Director Emeritus Yip Wing-sie and Associate Conductor Vivian Ip on the artistic development of the orchestra, creating inspiring and innovative programmes which bring music closer to the community. His 2025/2026 season with the orchestra is highlighted by collaborations with such illustrious artists as Nicolas Altstaedt, Martin Helmchen, Denis Kozhukhin, Alexander Gadjiev and more.

As Hong Kong Sinfonietta’s Principal Guest Conductor between 2015-2023, Poppen has presented to the Hong Kong audience a rich repertoire ranging from Austro-German masterpieces to contemporary works, brought the orchestra on tour to Germany and Portugal, and taken up the position of Co-chair of the Hong Kong International Conducting Competition. Away from Hong Kong, he continues his highly successful collaborations with Cologne Chamber Orchestra as Principal Conductor and Israel Chamber Orchestra as Principal Guest Conductor, while being the Artistic Director of the Marvão International Music Festival. Highlights in recent seasons included bringing the WDR Rundfunkchor Köln to Hong Kong for Bach’s Christmas Oratorio, the Asian première of William Kentridge’s Oh, To Believe In Another World, and the continuation of his recorded cycle of the complete Mozart Masses with Cologne Chamber Orchestra for Naxos.

From 1995-2006, Poppen was Artistic Director of Munich Chamber Orchestra, establishing the ensemble’s new profile in a short period of time. His distinctive programmes, often contrasting classical and contemporary styles with numerous commissioned works, were highly successful. In 2006, he was appointed Music Director of Radio Symphony Orchestra Saarbrücken and from 2007-2011, he was Music Director of the newly formed Deutsche Radio Philharmonie. He has appeared with orchestras such as Vienna Symphony, Staatskapelle Dresden, Deutsches Symphonie-Orchester Berlin, Detroit Symphony, Orchestre Philharmonique de Radio France, Bamberg Symphony, Camerata Salzburg, Netherlands Philharmonic Orchestra, Residentie Orkest, Orquestra Sinfônica do Estado de São Paulo, Indianapolis Symphony, Seoul Philharmonic, New Japan Philharmonic and Singapore Symphony Orchestra. He also has a strong presence in Italy, performing regularly with the country’s leading orchestras and at festivals such as the Venice Biennale, as well as giving masterclasses. As an opera conductor, he has enjoyed acclaimed collaborations with Staatsoper Stuttgart, Oper Frankfurt, Opera Köln, Teatro Carlo Felice in Genoa, Aalto-Musiktheater in Essen and the RuhrTriennale.

Founded by Poppen in 2014, the Marvão International Music Festival has grown to become a highly successful and award-winning musical event featuring soloists such as Jörg Widmann, Augustin Hadelich, Javier Perianes and Clara-Jumi Kang. He also founded the International Academy for Music, Arts and Science in Marvão in 2019, and was the Artistic Director of the Classic Revolution Festival in Seoul, South Korea between 2020-2022, for which he curated highly inventive programmes.

As a prize-winning violinist, Poppen co-founded the Cherubini Quartet in 1978. He was appointed Professor of Violin and Chamber Music at Hochschule für Musik Detmold, and later at Hanns Eisler Hochschule für Musik in Berlin, where he was President from 1996 to 2000.  From 2001 to 2005, he was Artistic Director of the renowned ARD International Music Competition. Since 2003, he has been Professor of Violin and Chamber Music at Hochschule für Musik und Theater in Munich. Since the 2021/2022 academic year, he has been Chair Professor of Violin at the prestigious Escuela Superior de Música Reina Sofía in Madrid.